What’s Next for the ‘Editor-in-Chief’?

Media folks love to reminisce about that storied period in publishing when top magazine editors commanded major cultural clout, hefty salaries and cushy job perks — all of which don’t really exist anymore, and haven’t for well over a decade. Over the years, the role has been exalted, even on screen, thanks to Meryl Streep’s icy Miranda Priestly in “The Devil Wears Prada” and, later, Melora Hardin’s very involved Jacqueline Carlyle on “The Bold Type.” 

The celebrification of editors arguably peaked through the early 2010s. Back then, the concept of an influencer was in its infancy, but running a major publication afforded that sort of clout and cultural relevancy. Alexandra Steigrad, a media reporter at the New York Post, remembers when she began covering media at WWD, around eight years ago; the people who ran glossies — Graydon Carter, Joanna Coles, Robbie Myers — were influential tastemakers and power brokers, beyond the New York media circles they ran in.

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